Two frontier video models, one shared prompt.

ELARIS STRESS TEST 01 — "THWIP"

CHARACTER REFERENCE — MANDATORY: Two images: a pose sheet (proportions, suit construction, helmet design) and a portrait (face, hair, beard, skin tone). Face, suit, helmet and gloves match them EXACTLY — no restyling, no color changes, no added or removed panels. The references are the sole source of truth for appearance; everything below governs motion, camera, light and sound only.

ANATOMY — NON-NEGOTIABLE: South Asian man, late twenties, black wavy hair, full dark beard, lean and broad-shouldered, approx. 178cm / 75kg. NEVER ragdoll, limp or floppy. Core engaged, every movement has muscle intention. Moves like a trained traceur — precise, casual, effortless. Minimal spinning. The bare face at 0–3s and at 13.5–15s is the SAME face: same bone structure, beard and hairline. No drift.

THE SUIT — NON-NEGOTIABLE: Fitted armored bodysuit. Deep navy base, crimson armored panels across chest, shoulders, forearms and outer thighs. Segmented plating, visible seams, matte-satin sheen — real material, not spandex. Angular dark-blue emblem on the chest. Wide black belt, armored gloves, dark boots. Panel layout, emblem and color split stay IDENTICAL every frame — no morphing, no color shift.

THE HELMET — NON-NEGOTIABLE: Full-face rigid helmet, glossy crimson shell, dark smoked faceplate, fully enclosing. Hard shell, NOT fabric — no stretching or clinging. ON at 5s, OFF at 13.5s; in between it never slips and NO face, skin or hair is visible. Shell shape, visor outline and panel lines identical frame to frame.

HANDS — NON-NEGOTIABLE: Correct five-finger anatomy every frame — gripping the rigid helmet on and off, and in macro on the web-sign. WEB-SIGN, right hand, gloved: INDEX and LITTLE fingers extend straight up and spread apart; middle finger, ring finger AND thumb fold in and press flat to the palm. Exactly this, clean and readable. No merging fingers, no extra digits, no warping, no helmet clipping through the hands.

THE WEB — NON-NEGOTIABLE: Fires from the FINGERTIPS of the extended index and little fingers — TWO separate strands launching in parallel, braiding into one taut line a short distance out. Not the palm, not the wrist, not thin air. Real thickness and tension: sags at rest, snaps straight under load, anchors to a real surface. Never a glowing beam.

PHYSICAL CONTACT — NON-NEGOTIABLE: He does NOT float. He interacts with the city physically — feet push off walls, hands grab ledges, knees absorb impact, surfaces react.

ON-SCREEN TEXT — NON-NEGOTIABLE: A neon bodega sign reading "MARA'S DELI" in clean block lettering — sharp, correctly spelled, legible in every frame it appears. No warping or garbled letters.

CAMERA — NON-NEGOTIABLE: ONE continuous take. ZERO cuts. ZERO teleporting. It moves physically between close and wide — pushing, whipping, banking, rolling.

REALISM — NON-NEGOTIABLE: Real Hollywood film. RED Monstro 8K, anamorphic. Real motion blur, real armor physics, wet-street reflections, night haze.

15-second continuous single-take shot. Night. Rain-wet city, neon reflections in every puddle. Starts from black.

0–3s: Black. Then CLOSE — his bare face on a rooftop ledge, exact match to the portrait reference. Rain on his skin, neon across one cheek, breath visible. He looks out over the city, eyes moving, weighing it. Jaw sets. Camera eases back to reveal the helmet held in both gloved hands at chest height, real weight pulling his wrists down.

3–5s: He raises the helmet until it is level with his face and turns it once — the dark visor catches the skyline and throws it back in curved miniature. Then he lowers it over his head in one committed motion: fingers guiding the rim past his ears, hair pressing flat, the shell seating at the collar with a solid mechanical click. He rolls his neck to settle it. Rain runs down the gloss. Head lifts. Camera holds tight on the finished helmet one full beat.

5–6.5s: Camera drops and pushes in on his right hand — CLOSE. The gloved fingers set into the web-sign: index and little fingers snapping straight up and spreading wide, middle, ring and thumb folding in and pressing flat to the palm. Glove leather creases hard where the knuckles fold. The wrist cocks back. Held one clean beat, perfectly readable.

6.5–8s: MACRO — the two raised fingertips fill the frame, rain beading on the glove. The wrist snaps forward. TWIN web strands fire from the fingertips, launching in parallel and braiding into one taut line a short distance out. The recoil travels visibly back through fingers, wrist and forearm. The line goes tight. Camera whips out with it as he steps off the ledge and drops.

8–11s: WIDE — residential street below. Brownstones, fire escapes, the "MARA'S DELI" neon sign above a bodega door. He swings LOW, three meters up — arms extended gripping the web, legs together trailing, core tight, back straight. At the bottom of the arc his boots skim a parked car roof: real contact, real compression, feet bounce off and he redirects. He releases at the peak, lands feet-first on a brownstone wall and RUNS along it — boots striking brick in a real running gait, body angled 45°, arms pumping, four quick steps — then pushes off hard with both feet, knees fully extending, and fires a new web mid-air. Camera banks 40°, then rolls 60°.

11–12.5s: He comes in LOW over a narrow street of yellow taxis, headlights smearing on wet asphalt. The web releases. Boots hit wet pavement for two hard strides, real splash on each. A taxi honks. He laughs inside the helmet, plants a boot on a taxi, pushes off the roof in one explosive step, fires a web upward and rockets HIGH. "WOOOO!"

12.5–13.5s: WIDE — rooftop level. He hangs at the peak one breathless moment, arms slightly open, body arched, a small figure dead center against the burning skyline. Then he drops.

13.5–15s: He lands on a rooftop in a low crouch, one gloved hand on the wet concrete, knees absorbing the impact. He rises. Both hands grip the helmet and lift it clear — hair pushing free, damp, real. The SAME face. He looks out over the glowing city, chest still rising, and breaks into a wide genuine smile. City lights behind him.
[END]

EMOTION — NON-NEGOTIABLE: Fully alive in every frame, never blank. Opening: quiet, focused, a decision being made. Once masked the BODY carries it — shoulders, chin, spine, hands. Car skim: instinctive flinch, then recovery. The horn: helmet tips back, audible laugh. Final smile: unguarded, warm, genuine — NOT a posed grin.

AUDIO — SFX ONLY, NO MUSIC: Rain on concrete. One breath before the helmet. The solid click of it seating. Glove leather creaking as the fingers set. The sharp snap of the web firing, line twang under load. Wind rushing. Boots on car metal, then wet pavement. Taxi horn. His laugh, muffled by the helmet. "WOOOO!" between buildings. Boots on the rooftop, the helmet lifting free, one long breath out.

NO cuts. NO slow motion. NO spinning. NO floating. NO ragdoll. Photorealistic.